‘Undone’: The Surreal Life in Rotoscope from Kate Purdy & Raphael Bob-Waksberg

***This article originally appeared in the Sept./Oct. ‘19 issue of Animation Magazine (No. 293)***

If you like your animated shows to be grown-up, surreal and a bit unsettling, then get ready to get hooked badly on Undone, the intriguing new offering from Raphael Bob-Waksberg (BoJack Horseman, Tuca & Bertie) and Kate Purdy (The McCarthys, Cougar Town). The half-hour rotoscope animated show, which premieres on Amazon Prime this month, is the kind of mystery that keeps you guessing and entertained until the very last minute.

Undone centers on a 20-something woman named Alma (voiced by Rosa Salazar) , who begins to see visions of her late father (Bob Odenkirk) after a near-fatal car accident and discovers that she has the ability to travel through space and time. The show, which is produced by Bob-Waksberg, Purdy, Noel Bright, Steven A. Cohen and Tommy Pallotta, also features a great, multicultural voice cast that includes Angelique Cabral, Constance Marie, Siddarth Dhananjay, Daveed Diggs, John Corbett, Jeanne Tripplehorn, Sheila Vand and Tyler Posey.

The origin of the show goes back to 2015 when Bob-Waksberg and Purdy were working on the first season of the acclaimed, Emmy-winning Netflix series BoJack Horseman. That’s when they started exploring the possibility of creating a new project that explored complex issues such as mental health and the nature of reality.

“We started talking about our own personal lives and families,” recalls Purdy. “I told him about my grandmother Geraldine, who had schizophrenia, and my own fears about mental health. I was going through a divorce and a hard time in my life, and as a result was discovering all these alternative healing modalities, and meeting shamans around the world. As a result, I came to see our world and our approach to mental health in a new light.”

In the beginning, the producers weren’t quite sure whether the show would be animated or not. Yet, as the different parts began to gel, they realized that the surreal nature of the content made it a natural candidate for animation.

Painterly Vision

One of the driving forces behind the show’s highly artistic look is acclaimed director Hisko Hulsing, an indie Dutch animator who is best known for his award-winning shorts Junkyard and Seventeen. “Our producers Noel and Steve found Hisko, who is absolutely amazing,” says Bob-Waksberg. “It was his idea to use rotoscopy since he wanted to capture the micro expressions of the animated characters’ faces, and we were all on board.” Purdy adds, “We wanted a style that felt real and grounded, but was animated enough so that when crazy things started to happen, you wouldn’t feel like we were suddenly breaking the show. We needed this seamless transition between what was real and what was unreal.”



The production of the show is quite different from other animated shows. “It’s almost like we make the show three times,” jokes Purdy. “We first shoot the show in live action in Hollywood. Then that footage is sent to Minnow Mountain Studio (A Scanner Darkly, Waking Life) in Austin, where they rotoscope it and choose which lines to animate for all the expressions and emotionality. Finally, it goes to Submarine Studio in Amsterdam, where Hisko oversees the animation and they oil paint the backgrounds and different elements are added in the compositing process.”

Bob-Waksberg says one of the exciting things about working on the show is the technology’s possibilities. “The thing about working in this medium is that there are not too many projects that are created via rotoscopy, so every time someone experiments, there is an opportunity for more innovation in the process,” he notes. “There are tricks that our animators are using now that weren’t available to us when we started the project. We have found these solutions that make the process run more smoothly. You also have to be careful when you mention other rotoscopy projects, because it’s a very small community. I made a joke about those e-trade [Charles Schwab] commercials one time after a screening, and it turned out that some of the animators actually worked on those spots as well!”

Another great thing about the show is that its central character is a strong, interesting Latinx woman. Purdy says it was very important for her to have diversity on screen and represent many kinds of people and their experiences. “I was born in Austin and raised in San Antonio, and we lived with our family in Mexico for a few years,” explains Purdy. “San Antonio is predominantly Mexican-American and Latinx, and we really wanted to have a realistic representation of the culture, heritage and make-up of that city on the show.”



“One of the biggest joys of working on Undone is how much all the amazing collaborators are bringing to the show,” says Bob-Waksberg. “We have these amazing actors who are so expressive and bring each episode alive. Then, there is this wonderful writing staff who took some of our ideas and built upon them in a beautiful way. Of course, then there are the rotoscopers, the animators and the painters and artists. I feel that everyone who comes on board finds a way to elevate the piece. I have to say that everyone who has worked on the show has been a real delight to collaborate with.”

Purdy says she has also been awed by everyone’s contributions. “It’s like labor pains,” she says. “Every process is incredibly painful, when it’s all done, you just think how blissful and beautiful it has all been. I just hope that after they see the first eight episodes, the audience questions the nature of reality and our purpose here, and they think about what they want our answers to be.”

Undone premieres on Amazon Prime Video on September 13.



Animation Magazine

Kate Phillips Joins Framestore Montreal as Head of Production


Framestore has appointed Kate Phillips as Head of Production, Montreal, charged with supporting the studio’s talent in creating top-notch VFX for feature films, and managing overall delivery for all film projects. Launched in 2013 with a core staff of 20, the faclity in Quebec’s digital production hub now boasts about 300 employees.

“I’ve always admired Framestore, both for the exceptional quality of its work and for its reputation for creating a happy and supportive environment for its crew,” commented Phillips. “I feel privileged to join the growing team in Montreal at such an exciting time as it takes on more and bigger projects, and hope I’ll be able to play a role in its continuing success.”

Phillips began her career in politics, first with the Liberal Democrat party in the uK and then as a political analyst for BBC News and later a coordinator on Film 2005. This taste of the production industry lead her into VFX, hiring on at Double Negative as Produciton Coordinator and working up the ladder while working on films including The Bourne Ultimatum, Prince of Persia and Harry Potter and the Half-Blood Prince. Phillips moved to Baseblack in 2009, setting up its new production pipeline and delivering work on Harry Potter and the Deathly Hallows (Parts 1 and 2), Never Let Me Go and Johnny English Reborn. Returning to Double Negative in 2011, she earned credits on VFX-driven features including Snow White and the Huntsman, Les Miserables, Hercules, Mission: Impossible – Rogue Nation and Fantastic Beasts and Where to Find Them (her fifth JK Rowling film).

“We are delighted to have Kate join us at Framestore. She will play a vital role in helping to manage the throughput of the varied and challenging projects currently on our slate,” added Lucy Killick, Managing Director in Montreal. “Kate’s experience and instincts as a VFX producer make her a natural leader for our expanding production team.”

Framestore’s Montreal studio is set to grow even more as it takes on exclusive locally-based projects, including the upcoming Blade Runner 2049. This spring, Framestore’s VR Studio will also set up a base in Montreal.

Framestore’s film work ranges from animated characters to environments and VFX. Current productions include Alien: Covenant, Guardians of the Galaxy Vol. 2, Thor: Ragnorak, Geostorm and Paddington 2.

Kate Phillips

Kate Phillips

Animation Magazine

Kate Winslet’s Lancome Commercial: Wears Nothing But A Sheet (VIDEO)

Kate Winslet rolls around on a hotel floor in nothing but a sheet and lipstick in a new television spot for Lancome L’Absolu Nu lip color. Watch the revealing commercial, shot by Mario Testino, below. Kate recently opened up to British Vogue about her
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